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Rossini, Ewa Podles, Sumi Jo, Stanford Olsen, Pietro Spagnoli, Anna Maria di Micco, Lucretia Lendi, Capella Brugensis, Collegium Instrumentale Brugense, Alberto Zedda - Tancredi Album
Classical
Performer: Rossini, Ewa Podles, Sumi Jo, Stanford Olsen, Pietro Spagnoli, Anna Maria di Micco, Lucretia Lendi, Capella Brugensis, Collegium Instrumentale Brugense, Alberto Zedda
Title: Tancredi
Style: Opera, Romantic
Year Apr 1995
Label Naxos
Catalog Number 8.660037-8
Genre: Classical
Rating: 4.8
Votes: 357
MP3 size: 2526 mb
FLAC size: 1812 mb
WMA size: 1292 mb
Record From: 2 × CD, Album

Rossini, Ewa Podles, Sumi Jo, Stanford Olsen, Pietro Spagnoli, Anna Maria di Micco, Lucretia Lendi, Capella Brugensis, Collegium Instrumentale Brugense, Alberto Zedda - Tancredi Album

Tracklist

1Recitativo0:34
2Aria4:14
3Duetto8:04
4Overture5:55
5Recitativo1:08
6Recitativo1:34
7 Act 2 (Beginning)
8Recitativo Instrumentale E Finale1:23
9Recitativo E Aria3:26
10Recitativo E Cavatina8:15
11Recitativo1:02
12Recitativo0:38
13Recitativo2:11
14Gran Scena6:31
15Coro2:42
16Recitativo E Duetto1:19
17Recitativo1:15
18Untitled2:54
19Recitativo2:31
20Rondo6:50
21Recitativo E Duetto7:11
22Aria7:57
23Coro E Cavatina5:55
24Untitled0:43
25Recitativo1:09
26Scena5:16
27Introduzione6:58
28Secondo Finale2:48
29Recitativo1:16
30Aria2:53
31Recitativo0:40
32 Act 2 (Conclusion)
33 Act 1
34Recitativo2:09
35Recitativo1:56
36Recitativo1:48
37Duetto6:58
38Cavatina4:54
39Recitativo E Aria0:52
40Aria6:52
41Coro3:17
42Finale Primo11:09
43Recitativo2:20

Credits

  • Art Direction [Artistic Director]Christian Chorier
  • Artwork By [Cover] – Bruno Cagli
  • Bass-Baritone Vocals [Orbazzano]Pietro Spagnoli
  • CelloLieven Baert
  • ChorusCapella Brugensis
  • Chorus MasterPatrick Peire
  • Composed ByGioachino Rossini
  • ConductorAlberto Zedda
  • Double BassFranck Coryn
  • HarpsichordEwald Demeyere
  • Leader [Orchestra]Dirk Lippens
  • Libretto ByGaetano Rossi
  • Liner NotesCorinne Polycarpe
  • Liner Notes [English Translation]Keith Anderson
  • Mezzo-soprano Vocals [Isaura]Anna Maria Di Micco
  • Mezzo-soprano Vocals [Roggiero]Lucretia Lendi
  • Mezzo-soprano Vocals [Tancredi]Ewa Podles
  • OrchestraCollegium Instrumentale Brugense
  • ProducerGünter Appenheimer
  • Soprano Vocals [Amenaide]Sumi Jo
  • Tenor Vocals [Argirio]Stanford Olsen

Notes

Recorded January 26-31, 1994 at Poissy Theatre and the Central Musical-Lyrique-Phonographique, Ile de France.

Critical Edition revised by Philip Gossett - Fondazione Rossini of Pesaro in collaboration with G. Ricordi & C° S.P.A., Milan.

This recording is a co-production with the cities of Poissy and Clermont Ferrand.

Cover image: Sketch for Rossini's Tancredi - Maggio Musicale Fiorentino, 1952 by Bruno Cagli.

64 page booklet contains notes, synopses & biographies in English, German & French as well as the Italian libretto (no translations)

Barcodes

  • Barcode: 0730099603720
  • Other (SPARS Code): DDD

Companies

  • Recorded At – Poissy Theatre And The Central Musical-Lyrique-Phonographique

Album

Mezzo-soprano Vocals Ewa Podles. Orchestra Collegium Instrumentale Brugense. Producer Günter Appenheimer. Soprano Vocals Sumi Jo. Tenor Vocals Stanford Olsen. Recorded January 26-31, 1994 at Poissy Theatre and the Central Musical-Lyrique-Phonographique, Ile de France. Album Themes. Other Times & Places Romance. Sumi Jo, Ewa Podles, Alberto Zedda, Brugensis Capella, Collegium Instrumentale Brugense. Rossini: Tancredi. скачать торрент torrent торент скачать DTS CD SACD-R Hi-Res stereo оцифровки Vinyl-Rip DVD-Audio скачать музыку бесплатно скачать без регистрации. Rossini : Tancredi, Sumi Jo - Lucretia Lendi - Anna Maria di Micco - Stanford Olsen - Patrick Peire - Ewa Podles - Pietro Spagnoli, Capella Brugensis - Collegium Instrumentale Brugense, dir. Alberto Zedda. Track Listings. Still, this is youthful Rossini and the album had a youthful feel to it I found myself humming along. The conducting was controlled, though I would have liked a little more drive and excitement. On the whole, a really good value for a really good price. Album 1995 40 Songs. By Gioacchino RossiniAnna Maria Di Micco, Capella Brugensis, Collegium Instrumentale Brugense, Ewa Podleś, Lucretia Lendi, Pietro Spagnoli, Stanford Olsen & Sumi Jo. Tancredi: Act I, Introduzione. Tancredi: Act I, Recitativo. Cappela Brugensis Collegium Instrumentale Brugense Alberto Zedda - conductor. This great recording gives the listener the opportunity to appreciate a work of Rossini that is a rarity today but it was one of his first succeses on the operatic stage. Even with the implausible plot, Rossini gives the characters excellent music to sing. In this performance by Naxos, the singers are uniformily excellent, specially Podles, Jo and Olsen. Ewa Podles, the Tancredi, has a miraculous contralto voice capable of handling the most difficult passages. On this recording, her range go from a dark, solid low F. He wrote Divagazioni Rossiniane, published in 2012 by Ricordi, Milan, which was translated to spanish, german and english. Rossini Tancredi Ewa Podleś, Sumi Jo, Stanford Olsen, Pietro Spagnoli, Anna Maria di Micco, Lucrezia Lendi, Capella Brugensis, Collegium Instrumentale Brugense Naxos, 1994. Bellini Beatrice di Tenda Mariana Nicolesco, Stefania Toczyska, Vincenzo La Scola, Piero Cappuccilli, Prague Philharmonic Choir, Monte Carlo Orchestra Sony, 1986. Tancredi: Overture. Love this track. From The Album. We dont have an album for this track yet. View all albums by this artist. Do you know the lyrics for this track Add lyrics on Musixmatch. Argirio tenor: Stanford Olsen Amenaide soprano: Sumi Jo Tancredi contralto: Ewa Podleś Orbazzano bass: Pietro Spagnoli Isaura mezzo-soprano: Anna Maria di Micco Roggiero mezzo-soprano: Lucretia Lendi. Conductor: Alberto Zedda Capella Brugensis & Brugensis Collegium Instrumentale Brugense Alberto Zedda. The word opera is Latin and means the works it represents a synthesis of all the other arts: drama, vocal and orchestral music, dance, light and design. Rossini had a legendary reputation for laziness, and in this narrated introduction to Tancredi we revisit some of the very funny stories attached to him. But when you listen to his dazzling ensembles with their tens of thousands of cascading notes, the exhilaration of his orchestral crescendi, and the degree of ornamentation in his vocal writing-the very essence of bel canto-you soon conclude that laziness was not his leading characteristic